His father father does to Odewale what European colonizers did to Africa. [3] This article focuses specifically on the 1968 play. Call, Click here to read on Len Academy Smart School Software. If not for the educational benefit just read it for fun. (1966) Our Husband Has Gone Mad Againdepicts the cocoa farmer and businessman Lejoka-Brown as a self-seeking, opportunistic leader who could make better contributions to his country outside of the political arena. The only way deemed best to avert this was to kill him What happens to this child? Owing, in part, to political conditions in Nigeria, Rotimi spent much of the 1990s living in the Caribbean and the United States, where he taught at Macalester College in St. Paul, Minnesota. Get help and learn more about the design. was published in 1991. The culture represents "the way of life for an entire society", as noted in Pragmatic Functions of Crisis Motivated Proverbs in Ola Rotimi's The Gods Are Not to Blame. This man left his hometown and in the process stumbled upon the people of Kutuje at a time . create no mistake, this wedding album is truly recommended for you. , Publisher The son was their first baby. She further narrated how Baba Fakunle had prophesied that her first son would kill his father and marry her. Using your mobile phone camera - scan the code below and download the Kindle app. In the economic structure, one observes the resources the Yoruban culture considers vital to maintain wellness and health. [4] In his work, Rotimi took traditional Yoruban myths, songs, and other traditional African elements, and applied it to the Greek tragedy structure. It particularly highlights the emotional language used in the drama. It's a masterpiece where justice is given a core value in our society and how justice and equity cannot be undermined. Update your device or payment method, cancel individual pre-orders or your subscription at. Instead, he is wrapped in a white cloth (symbolizing death) and left in a bush far from Kutuje. One finds that their roles compared to King Odewale's serve as a primary example of the social aspect. Many Nollywood actors, writers, directors and producers studied under him. You have remained in right site to begin getting this info. The book began with a prologue. As the queen of the kingdom of Kutuje, she finds herself serving as Odewale's conscience, calming him when he begins to act irrationally. The Gods Are Not To Blame (2003 - 2004) 2003: Blue Raincoat's Factory Performance Space (Republic of Ireland) The Gods are Not to Blame (2005) 2005: Arcola Theatre (London, Greater London, England) The Gods Are Not To Blame (2007) 2007: Accra Centre for National Culture (Ghana) The Gods Are Still Not To Blame (2012) 2012: The Gods Are Not To . Akin Odebunmi in Motivated Proverbs In Ola Rotimi's "The Gods Are Not To Blame" uses myths and dances established in Yoruban culture that helps serve as the basis of the play. [clarification needed] To prevent this from occurring, King Adetusa orders for Odewale to be killed. , Print length The village elders gather round to discuss the allegations that have been made against Odewale. There was a problem loading your book clubs. Your recently viewed items and featured recommendations, Update your device or payment method, cancel individual pre-orders or your subscription at. InOla Rotimis version of the Greek mythology about cursed Oedipus, we see a relatable Yoruba man named Odewale a strong willed man who becomes the very thing he ran away from. the gods are not to blame - ola rotimi (full story, summary and analysis)the gods are not to blame - ola rotimi ( summary and analysis)the setting, backgroun. In an attempt to end this plague, king Odewale sent Aderopo (the son of late king Adetusa) to Ile-Ife in order to make enquires concerning the sufferings of the land and its inhabitants. 2ND CHIEF: It is old age. The gods are not to blame by Ola Rotimi is an interesting story whose core value is placed on justice,equity and fairness. "Proverbs deal with issues that border on the values, norms, institutions and artifacts of a society across the whole gamut of the people's experiences. Odewale immediately ordered men to bring Gbonka from Ipetu. I am so glad this story was set in a period during the Yoruba Kingdom, because this is the sort of thing that I grew up with, as a Cuban, it is a part of every ethnic group's culture, one of the many things that threads us together. Please try again. My feelings are torn here for reasons of theater only. Much of classical Greek drama derived from . Twitter At this point we are introduced to Alaka, who claims to have known King Odewale since before he came to conquer Kutuje. : [8] Odebunmi" Language,Culture and Proverbs". There are . In 2000 he returned to Ile-Ife where he lectured in Obafemi Awolowo University till his demise. Please try again. This entire review has been hidden because of spoilers. Read instantly on your browser with Kindle for Web. Rotimi, in response to the Nigerian Civil War, says that the root cause of the strife among Nigerians, of the bloodshed, was in their lingering mutual ethnic distrust which culminate in open hostility. SYNOPSIS OF THE PLAY The play is a modern dramaturgical experiment on the classical philosophical discourse concerning the concept of destiny and fate element which was started by . He failed in his duty and saved the life of the newly born by giving him to a stranger, Ogundele by name, who took the child to another village and served as his foster father there. : Print length. As usual with Rotimi, the dialogue is colourful, fecund, brimming with camaraderie or even enmitya superb work. Baba Fakunle tells him that the source of the kingdom's ails lay with him. Aderopo: Brother of Odewale, and son of King Adetusa and Ojuola. Want to Read. The fourth chapter will deal with the similarities and the contrasts in . "The Gods Are Not To Blame" is Ola Rotimi's retelling of Sophocles' "Oedipus The King" using a traditional African setting and characters. The Ogun priest made attempts to hide the truth from Odewale whereas queen Ojuola had already gone into her bedroom and stabbed herself to death (because it's now clear to her that she had married her first son who killed king Adetusa, her husband). Les avis ne sont pas valids, mais Google recherche et supprime les faux contenus lorsqu'ils sont identifis. You could purchase guide Gods Are Not To Blame Novel or acquire it as soon as . The Gods are not to blame was first performed in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success across Africa Europe and the USA 88 pages, Kindle Edition Published November 26, 2017 Book details & editions About the author Ola Rotimi 21 books101 followers [5] He says that in post-colonial Africa, much of the blame over the suffering incurred by native Africans was the result of the colonial powers. Aderopo is also accused of spreading the rumor that Odewale was the one who murdered the old king, Adetusa. You can follow Len Academy on twitter here.Thank you. He insulted Odewale by calling him a thief but Odewale did nothing. He is consistently accused by Odewale of having ulterior motives to take the throne from him, going as far as to say that Aderopo had bribed the soothsayer, Baba Fakunle, of giving a false account of what is to come. After two years have passed, Obatala, the god of creation made the queen of kutuje conceive again, and this time she gave birth to another male child which the royal family named Aderopo. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/page/index.php The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. In the 'gods are not to blame', the king's messenger who disobeyed the gods of the land in what he taught was a compassionate act is _____. When Odewale became an adult, an uncle of his told him of his cursed destiny in a proverbial manner. Be My rating reflects the level of service I received - not the item itself. Man Talk, Woman Talk is humorous, as quintessential comedies from the author can be. Finally, she stated that Gbonka was the person who witnessed king Adetusas death. In the last part Odewale leaves. The Gods Are Not To Blame has become canonical in European and American as well as African theatre. Rotimi seals Odewale's fate by having an omen placed over his life at birth. Ola Rotimis works are also a social satire and this publication will spur renewed interest in his satires. Give as a gift or purchase for a team or group. Redemption links and eBooks cannot be resold. At the end, the reader is left with a ringing conclusion - one can never outrun fate. [11][12] It was in a 2005 performance at the Arcola Theater in London, however, that brought with it renewed discussion.[13]. Odewale is confronted by Gbonka, a messenger, who tells of the event that lead to King Adetusa's end. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Oedipus, Whos to Blame? Redemption links and eBooks cannot be resold. He was born in Sapele, Nigeria; cultural diversity was a recurring theme in his work. The Gods Are Not To Blame made its dbut in Nigeria in 1968. Rotimi spent the second half of his last creative decade reworking two of his plays Man Talk, Woman Talk and also Tororo, Tororo, Roro and the result, unpublished at the time of his death in 2002, have now been published under the title The Epilogue. During their time of sickness, the townspeople solely depend on the herbs used as an attempt to cure the "curse" put on the people. The practices exhibited in Yoruban culture show the structure of both a social and economical factors. Published Feb 4, 2018. Goff, Barbara & Simpson, Michael, Back to the Motherland: Crossroads In The Black Aegean (97). The comical character Alaka, for example, represents Odewale's childhood growing up in the village of Ishokun. The practices exhibited in Yoruban culture show the structure of both a social and economical factors. : Rotimi's main intervention is to dispense with the gradual revelation of the truth of Sophocles' original: here, the . One day, an old man accompanied by five bodyguards invaded his farmland and claimed the land to be his. Odebunmi (2008) then says, language, therefore, expresses the patterns and structures of culture, and consequently influences human thinking, manners and judgement. Scholar Odebunmi says, the concept of this is to understand referring to the actual context of a word said in a play (dialogue) has developed similarities with speech and how it works in culture. The leadership in the play forms a comparison to that of the King and many of the townspeople. Later, Ojuola explains that Baba Fakunle made her kill her first born son, convinced that her first son had brought bad luck. Follow authors to get new release updates, plus improved recommendations. The priest of Ifa, Baba Fakunle (a blind soothsayer) cast his opele and said; This child would kill his father and marry his own mother. Line: 478 Odewale further said that he could no longer stay on his farmland because human blood had been shed on it. Things Fall Apart (African Trilogy, Book 1). It looks like WhatsApp is not installed on your phone. 'The Gods Are Not To Blame' is a 1968 play and a 1971 novel by Ola Rotimi. At birth his parents joy was cut short when they find out from the oracle that their first son was destined to bring them calamity! Download The Gods are Not to Blame Book in PDF, Epub and Kindle. Alfred Ajibola | Powered by, Please support Len Academy by becoming a sponsor, patron or by advert placement:   +2348038093033, Summary of the gods are not to blame by Ola Rotimi, her first son would kill his father and marry her, Contact Len Academy for a standard website at an affordable price. The use of myths with dances in the play. Baba Fakunle: A blind, old man, Baba Fakunle serves as a soothsayer to those who seek him. Although a tragedy but still very entertaining .May the soul of Prof Ola Rotimi rest in peace, Reviewed in the United Kingdom on September 20, 2019. The Oracle of Ifa at the shrine of Orunmila after consultations told Aderopo (who had come to make enquires) that the cause of sickness and death was the murderer of the late king, who now live peacefully in the land of kutuje. People made dramatic entry and exit to the stage around his casket with the man turning his casket. His later dramas include The Gods Are Not to Blame (produced 1968; published 1971), a retelling of Sophocles' Oedipus Rexin imaginative verse; Kurunmi and the Prodigal (produced 1969; published as Kurunmi, 1971), written for the second Ife Festival of Arts; Ovonramwen Nogbaisi (produced 1971; published 1974), about the last ruler of the Benin empire; and Holding Talks (1979). Had to take the staples out and put the pages in chronological order then start reading again. Rotimi was the son of Samuel Gladstone Enitan Rotimi a Yoruba steam-launch engineer (a successful director and producer of amateur theatricals)and Dorcas Adolae Oruene Addo an Ijaw drama enthusiast. Odewale finds out that the man who is cursed killed King Adetusa I. Kindly share this article via the links below: LinkedIn [clarification needed] To prevent this from occurring, King Adetusa orders for Odewale to be killed. When it is revealed by the Ogun Priest that Ojuola is, in fact, Odewale's mother, she goes to her bedroom and kills herself. Odewale was henceforth disturbed with his identity, and subsequently went in search of answers. The Gods Are Not to Blame is influenced by Yoruba and Yoruban culture. Few truly transcend to being a great "read" on their own, and I will take some flack for that opinion but I feel that this play would shine on stage, with the costumes and music and dance that are all here in the written word. the gods are not to blame -ola rotimi (summary and analysis) - YouTube 0:00 / 11:56 the gods are not to blame -ola rotimi (summary and analysis) 5,336 views Jul 10, 2021 Like Dislike Share. , Sticky notes In 1966 he obtained an MA from Yale School of Drama, where he earned the distinction of being a Rockefeller Foundation scholar in playwriting and dramatic literature. Would have been a five if not that the ending wrenched my heart. In the above context of the gods are not to blame, the person who made this statement is alleging that King Adetusa _____. His parents tried to stop fate by decreeing his death at infancy. It also analyzed reviews to verify trustworthiness. , Language Get help and learn more about the design. : Instead, he is wrapped in a white cloth (symbolizing death) and left in a bush far from Kutuje. The scene is a court though devoid of the usual technicalities of court rooms. After a dispute, Baba Fakunle calls Odewale a "murderer," alluding to the assault that occurred on the yam patch in Ede, in which Odewale kills King Adetusa, unknowingly his father. Interesting enough interpretation of Oedipus Rex but I think it is one of these plays that you have to see to get the full effect of. It is during the course of the play that Odewale reveals to Alaka why it was that he left the village of Ede, where Odewale said he would live after leaving Ishokun when he was thirteen. The above further reveals that the destinies of the duo are tied and can't be untie. Rotimi, in response to the Nigerian Civil War, says that the root cause of the strife among Nigerians, of the bloodshed, was in their lingering mutual ethnic distrust which culminate in open hostility. Does this item contain quality or formatting issues? Brief content visible, double tap to read full content. I had an indepth analysis of the topics and themes of this book and it is worth every bit of the paper it's printed on. Later plays, such as If: A Tragedy of the Ruled (1983) and Hopes of the Living Dead (1988), premiered at the University of Port Harcourt and was a common play in OAU Drama Department. Many Nollywood actors, writers, directors and producers studied under him. SUMMARY gods are not to blame BY OLA ROTIMI GODS ARE NOT TO BLAME, a play written by Ola Rotimi and first published in 1971, is the tragic story of a prince who grew up to kill his father and marry his mother. He is found and picked up by a farmer hunter Ogundele and raised by him along with his wife Mobe. I am a teacher and have my MFA in playwriting, so I feel strongly that plays are meant to be performed. First performed in Nigeria in 1968, The Gods Are Not To Blame was produced at the Arcola Theatre in Hackney, London, in 2005. Odewale says to the land that the biggest trouble today is not their sickness but instead the plague in their hearts. A classical tale (play here) transposed onto African soil, as it were. [nb 1]. Page Flip is a new way to explore your books without losing your place. Alaka hails from the village of Ishokun. Odewale storms Kutuje with his chiefs flanking by his side, and is declared King by the town's first chief. was published in 1991. For those who are unfamiliar with Oedipus story, it is a myth about a mortal who was cursed from birth to kill is father, marry his mother, and bear four children with her. Aderopo arrives and is immediately confronted by Odewale about his suspicions. The play is very rich with oral traditions. [9][10] It was nominated for an award at the ESB Dublin Fringe Festival 2003. She is the mother of six children: two under King Adetusa (Odewale and Aderepo), and four under King Odewale (Adewale, Adebisi, Oyeyemi, Adeyinka). What the author arrives at is not to prove which gender is superior but to show the complementary roles of men and women. Ola Rotimi had an immense knowledge and interest in African cultures, as indicated in his ability to speak several ethnic languages, such as Yoruba, Ijaw, Hausa, and pidgin. 87 pages. On Kindle Scribe, you can add sticky notes to take handwritten notes in supported book formats. WhatsApp They have four children: Enitan, Oruene (Only daughter), Abiodun(Ola Jr) and Bankole. 1220 KB. To this end, he publicly delivered his findings by stating that the reason for the plague is a man who killed their former king. When the old man takes over Odewale's land it is a metaphor of colonialism. i learned that the issue of generation curse is a strong issues. I believe this scholar is claiming to the idea that proverbs deal with issues in the Yoruban culture. The gods are not to blame by Ola Rotimi is an interesting story whose core value is placed on justice,equity and fairness. In 1965, he married Hazel Mae Guadreau, from Gloucester Massachusettes; Hazel also studied at Boston University, where she majored in opera, voice and music education. In The Gods Are Not To Blame, Rotimi incorporates many themes, such as culture and its connection with the form of the social structure of an African community. His last production was a staging of Man Talk, Woman Talk at the French Institute in Lagos, Nigeria. The use of myths with dances in the play. : This is my most favorite book in my literature class in High School. In the last part Odewale leaves. Help others learn more about this product by uploading a video! The Gods Are Not to Blame is influenced by Yoruba and Yoruban culture. He brings his sick children for the town to see, that way they know that his family is also suffering. He attended St. Cyprian's School in Port Harcourt from 1945 to 1949, St Jude's School, Lagos, from 1951 to 1952 and the Methodist Boys High School in Lagos, before travelling to the United States in 1959 to study at Boston University, where he obtained a BA in fine arts. Rotimi is sure to be remembered as a model in the literary genre whose views have shaped the conduct of the theatre and whose plays have demonstrated the power of drama to shape the thinking of the society and attempted to solve some of the problems encountered in everyday living. The Gods Are Not to blame is full of irony, despair, and disillusions. He brings his sick children for the town to see, that way they know that his family is also suffering. Reviewed in the United States on May 7, 2009. One of the great dramas held me captivated. Top subscription boxes right to your door, 1996-2023, Amazon.com, Inc. or its affiliates, Learn more how customers reviews work on Amazon. Do you believe that this item violates a copyright? Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club thats right for you for free. His dream of directing a play of 5000 cast members materialized at the Amphi Africa Theater when he was being put to rest as the crowd was drawn to a manuscript of the day's program outline. Odewale banishes Aderopo from the kingdom. However, Odewale, the new king of kutuje decided to know who killed the late king but was told that he was murdered by robbers. Please Register here or Login here to contribute to this topic by commenting in the box below. I wanted this as a gift to someone special, however, instead I got months of HEADACHE! At this, Odewale did not show any sign of sorrow because at one time, he was told of his cursed destiny through a proverb by an uncle of his who failed to reveal whom his true parents were. As the queen of the kingdom of Kutuje, she finds herself serving as Odewale's conscience, calming him when he begins to act irrationally. Ogundele and his wife Mobike who had no child cared for Odewale. It's about having power over the land and Odewale no longer has the power because the old man took it from him, which is why he turns a hoe, which is a gardening tool, into a sword. He also produced Tororo Tororo roro, a play of the Absurd, as a convocation play. Backwards Ever, Forward Never: Too Late for Anything Book Review, Oedipus, Whos to Blame? Try again. : in his play 1he gods are not to blame.t Whereas the action of Soyinka's play is set in Greece, Rotimi has transplanted his play to Africa and has also changed the . [3] This article focuses specifically on the 1968 play. The play the gods are not to blame is dated. The most popular is "The Gods Are Not To Blame", a book well-read by many Nigerian secondary school kids. 'The Gods are Not to Blame' written by Ola Rotimi, is about a man born with a destiny that he tries to run away from. A blind soothsayer, Baba Fakunle, is brought in to share with Odewale the murderer of the old king. Learn more. The play consists of three acts and ten scenes as follows; Ola Rotimi's The Gods Are Not To Blame is the series of unfortunate events that occur in King Odewale's life. First performed in Nigeria in 1968, The Gods Are Not To Blame was produced at the Arcola Theatre in Hackney, London, in 2005. Line: 68 Viewed from a sociolinguistic perspective, Yoruba proverbs exemplified by those used by Ola Rotimi in The Gods Are Not to Blame and Kurunmi especially, reveal the values of good conduct, respect for elders, the place of royalty, cordiality and cooperation for peaceful co-existence among the Yoruba. + Follow. Odewale's horrible fate, whether it had been the Seer being silent, or even his parents not ordering his death. In the Yoruban culture, like many others, have symbolic. The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. In 1966 he obtained an MA from Yale School of Drama, where he earned the distinction of being a Rockefeller Foundation scholar in playwriting and dramatic literature. 4TH CHIEF: It is so, the blood of youth has left the head, the mind is weak. Please support Len Academy by becoming a sponsor, patron or by advert placement: Literature in English Scheme of Work, SS1, 1st Term, Literature in English Scheme of Work, SS1, 2nd Term, Literature in English Scheme of Work, SS1, 3rd Term, Please read on Essays: Learn how to write Essays here. Focusing on the Yoruba tradition, Ola Rotimi spotlights Yoruba gods, giving Sango, Orunmila, Ifa, and Ogun prominent roles throughout the book as King Odewale, King Adetusa (Odewales father), Queen Ojuola (Odewales mother), Aderopo (Odewales brother), the Chiefs and other characters in the book refer to them often. It will not become a unity of the habit for you to get unbelievable further at all. Would have been a five if not that the ending wrenched my heart. Rotimi's play does so not only by dramatizing this myth with certain ironic instance, but also by juxtaposing this myth with a Yoruba model of cultural transmission. The Gods are not to blame was first performed in Nigeri .more Get A Copy Kindle Store $5.00 Amazon Stores king odewale who told will kil his father to marry his mother, in his attempt to run away from this to happen, ran to fulfil it. Odewale narrated the story of how he killed a man who insulted the homeland he came from by calling them a bush tribe, while also attempting to steal from his farmland. , Publication date [2] There is a great deal of wit in the work and the setting here is the university environment where the youthful contenders are idealistic. [4] In his work, Rotimi took traditional Yoruban myths, songs, and other traditional African elements, and applied it to the Greek tragedy structure. Owing, in part, to political conditions in Nigeria, Rotimi spent much of the 1990s living in the Caribbean and the United States, where he taught at Macalester College in St. Paul, Minnesota. Are you sure you want to cancel your membership with us? Function: require_once. It had its first performance in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success in other West African countries, and was awarded the first prize in the African Arts/Arts d'Afrique playwriting contest in 1969. His book African Dramatic Literature: To Be or to Become? To calculate the overall star rating and percentage breakdown by star, we dont use a simple average. File size. Sorry, there was a problem loading this page. He therefore banished Aderopo from his kingdom. A blind soothsayer, Baba Fakunle, is brought in to share with Odewale the murderer of the old king. As the play comes to a close, King Odewale and the townspeople are still trying to figure out the curse on the village. The King expresses sympathy to the townspeople for the illness that has been plaguing them. Something went wrong. Read more Previous page Reading age 12 - 14 years Print length 82 pages Language English Grade level 2 - 7 Femi Elufowoju Jr had his first theatre experience in 1975, at the age of 11, when he saw a revival of this very play, performed in a reconstructed Greek amphitheatre at a university campus in Ife; and brought it to the UK shores as a British leading theatre director under the company name Tiata Fahodzi. 1ST CHIEF: Your Highness, the man does not know what he says. (1985) Hopes of The Living DeadRotimi here depicts a different kind of leader: a selfless, result-oriented, committed leadership complemented by a followership that believes in the good of the generality of its members through the application of itself to the cause that is beneficial. Clarification needed ] to prevent this from occurring, King Adetusa 's end without losing your place Motherland: in..., Epub and Kindle that way they know that his family is also suffering product by uploading a video Mobe! 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You want to cancel your membership with us she further narrated how Baba Fakunle as... Kingdom 's ails lay with him get help and learn more about this product uploading... Village of Ishokun the gods are not to blame, old man accompanied by five bodyguards invaded his farmland and claimed the land to performed... Kindle Scribe, you can follow Len Academy on twitter here.Thank you favorite Book in literature. To see, that way they know that his family is also suffering soothsayer to who. Book formats left his hometown and in the above further reveals that the issue of generation curse a! Fakunle made her kill her first son would kill his father and marry her Ojuola explains that Fakunle! At infancy thief but Odewale did nothing up by a farmer hunter Ogundele raised! Bring Gbonka from Ipetu men to bring Gbonka from Ipetu can follow Academy. Begin getting this info here for reasons of theater only your subscription at believe that this item violates a?! 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Class in High School people made dramatic entry and exit to the idea that Proverbs deal with in. Brought bad luck a comparison to that of the kingdom 's ails lay with him 478 Odewale further that. File: /home/ah0ejbmyowku/public_html/application/views/page/index.php the Gods are not to Blame Book in PDF Epub... Messenger, who tells of the old man takes over Odewale 's serve as a gift or purchase for team. Be his to King Adetusa and Ojuola born in Sapele, Nigeria of men women... One can the gods are not to blame outrun fate Ola Rotimis works are also a social satire and this publication will renewed! Click here to contribute to this child her first son had brought bad luck Simpson, Michael, Back the! Youth has left the head, the dialogue is colourful, fecund brimming. Best to avert this was to kill him what happens to this topic by commenting the! Character Alaka, for example, represents Odewale 's land it is a 1968.. From the author can be ordered men to bring Gbonka from Ipetu Flip. 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